In part 1 we looked at the first 3 films of the cycle:
- The Aviator's Wife
- A Good Marriage
- Pauline at the Beach
We saw how each of these 3 films built and expanded on the same conflict of love and relationships between men and women. Honestly, they would have worked perfectly as a trilogy in their own right.
However, one of the most exciting things about Rohmer's cinema is one of contradiction - thesis - antithesis - synthesis. Each of the three first films had this inherent dialectic within them, but it is not until the second half of the cycle that the films start to directly contradict and be the antithesis to the previous films.
In part 2 we will look at the final 3 films of the cycle:
- Full Moon in Paris
- The Green Ray
- My Boyfriend's Girlfriend
And see if the contradiction can be resolved, if some kind of harmonious consensual love in indeed possible.
Our discussions are in two sets - one based on the basic plot and early development of the story - and then a dissection of the ending and the films as a whole. [b]There will be a clear spoiler warning[/b] at the halfway point.
If you have not seen the films in question [b]you can then skip to the next film[/b], the starting times are:
Full Moon in Paris: 02:07
The Green Ray: 23:53
My Boyfriend's Girlfriend: 48:17
Conclusion and Summary: 1:10:56